Caravaggio's famous painting coming to Croatia

place: Zagreb, Croatia
organiser: MUO
Croatia is to be given Caravaggio’s “Supper at Emmaus” by Italy as a welcome present into the EU. The baroque masterpiece will be presented at Zagreb’s Museum for Arts and Crafts in June.

Of the two versions of the painting, Croatia will receive Milan’s Pinakoteque Brera from 1606.
The Supper at Emmaus is a painting by the Italian Baroque master Caravaggio, died 1610, and now in the National Gallery in London . Originally this painting was painted for Cardinal Scipione Borghese.

The painting depicts the moment when the resurrected but incognito Jesus, reveals himself to two of his disciples (presumed to be Luke and Cleophas), only to soon vanish from their sight (Gospel of Luke 24: 30-31). Cleopas wears the scallopshell of a pilgrim. The other apostle wears torn clothes. Cleopas gesticulates in a perspectively-challenging extension of arms in and out of the frame of reference. The standing groom, forehead smooth and face in darkness, appears oblivious to the event. The painting is unusual for the life-sized figures, the dark and blank background. The table lays out a still-life meal. Like the world these apostles knew, the basket of food teeters perilously over the edge.

In the Gospel of Mark (16:12) Jesus is said to have appeared to them "in another form", which may be why he is depicted beardless here, as opposed to the bearded Christ in Calling of St Matthew, where a group of seated money counters is interrupted by the recruiting Christ. It is also a recurring theme in Caravaggio's paintings to find the sublime interrupting the daily routine. The unexalted humanity is apt for this scene, since the human Jesus has made himself unrecognizable to his disciples, and at once confirms and surmounts his humanity. Caravaggio seems to suggest that perhaps a Jesus could enter our daily encounters. The dark background envelops the tableau.

Caravaggio painted another version of the Supper at Emmaus (now in the Brera Fine Arts Academy, Milan) in 1606. By comparison, the gestures of figures are far more restrained, making presence more important than performance. This difference possibly reflects the circumstances of Caravaggio's life at that point (he had fled Rome as an outlaw following the death of Ranuccio Tomassoni), or possibly, recognising the ongoing evolution of his art, in the intervening five years he had come to recognise the value of understatement.

Caravaggio painted a second autograph version of Supper at Emmaus, with a bearded Christ, otherwise identical to the London version, in 1601 for Ciriaco Mattei according to Caravaggio biographer Bellori. That painting was the source of the widely distributed Fatoure engraving of 1620. That version is owned by real estate magnate Luke Brugnara. (wiki: http://en.wikipedia.org/wiki/Supper_at_Emmaus_%28Caravaggio%29,_London)

(Source: Croatian Times)

(D.H., 05.02.2013)