Skladatelji, glazbenici, muzikolozi


Works on Individual Composers, Musicians, and Musicologists


Abramovic, Charles, Jr. The solo piano works of Boris Papandopulo (DMA doc.: Temple University, 1990) 117 p.

Aguzzi-Barbagli, Danilo. "Francesco Patrizi e l’Umanesimo musicale enl Cinquecento", L’Umanesimo in Istria (Firenze: Olschki, 1983) 63-90.

Amisich, Alessandro Boris. "Ivan Padovec. I: Cenni biografici; II: Catalogo delle opere", Il Fronimo: Rivista di chitarra XVII/68 (July, 1989) 19-30.

Barbieri, Patrizio. "Križanic, Caramuel e P.F. Valentini sulla divisione dell’ottava musicale", Rad Hrvatske Akademije Znanosti i Umjetnosti 454 (1992) 19-40.

Bellina, Anna Laura, "Brevitŕ, frequenza e varietŕ: Cristoforo Ivanovich librettista e storico dell’opera veneziana", Musica e storia VIII/2 (2000) 367-390.

Bicanic, Ljiljana. "The bibliographical situation of the Sorkocevic family opus", Luka & Antun Sorkocevic: Hrvatski skladatelji/Luka & Antun Sorkocevic: Croatian composers. Ed. by Stanislav Tuksar (Zagreb: Muzicki Informativni Centar KDZ; Osor: Osorske Glazbene Veceri, 1983) 183-208.

Bidussi, B. "Antonio Smareglia e il rinnovamento dell’opera italiana", La porta orientale IX (1939) 411-430.

Blažekovic, Zdravko. "Friedrich Wieck’s Musikalische Bauernsprüche: Some new aphorisms", Studia musicologica Academiae Scientarium Hungaricae XXXIII/1-4 (1991) 121-130.

Blažekovic, Zdravko. "Due musicisti nella Pannonia del primo Ottocento: ?uro Arnold e Petrus Jakob Haibel", Danubio-Una civiltŕ musicale: IV: Croazia, Serbia, Bulgaria, Romania. Ed. by Carlo de Incontrera and Alba Zanini (Monfalcone: Teatro Comunale, 1994) 47-64.

Blažekovic, Zdravko. "Franz von Suppé und Dalmatien", Studien zur Musikwissenschaft: Beihefte der Denkmäler der Tonkunst in Österreich XLIII (1994) 253-272.

Blažekovic, Zdravko and Ennio Stipcevic. "Johann Petrus Jakob Haibel (1762-1826) and his sixteen newly discovered Masses from ?akovo (Croatia)", Off-Mozart: Glazbena kultura i mali majstori srednje Europe 1750.-1820./Musical culture and the Kleinmeister of Central Europe, 1750-1820. Ed. by Vjera Katalinic (Zagreb: Hrvatsko Muzikološko Društvo; Hrvatska Akademija Znanosti i Umjetnosti, Razred za Glazbenu Umjetnost i Muzikologiju, 1995) 67-75.

Blažekovic, Zdravko. "Leopold Alexander Zellner and the reports on Croatian music in his Blätter für Theater, Musik und bildende Kunst (1855-1873)", Zagreb, 1094-1994: Zagreb i hrvatske zemlje kao most izmedu srednjoeuropksih i mediteranskih glazbenih kultura/Zagreb and Croatian lands as a bridge between Central-European and Mediterranean musical cultures. Edited by Stanislav Tuksar (Zagreb: Hrvatsko Muzikološko Društvo, 1998) 263-276.

Blažekovic, Zdravko. " What Marsyas may have meant to the Cinquecento Venetians, or, Andrea Schiavone's symbolism of musical instruments" Glazba, rijeci i slike: Svecani zbornik za Koraljku Kos/Music, words, and images: Essays in honour of Koraljka Kos. Ed. by Zdravko Blažekovic and Vjera Katalinic (Zagreb: Hrvatsko Muzikološko Društvo, 1999) 93-116.

Belonenko, Aleksandr. "Križanic o muzyke", Sovetskaja muzika 3 (1984) 77-80.

Borden Balokovic, Joyce. Singing wings: An autobiographical biography of Zlatko Balokovic, the concert violonist and citizen of the world (s.l: author, 1973).

Borroughs, Bruce, ed. "Zinka Milanov, 1906-1989", The opera quarterlyVII/1 (spring 1990) 76-171.

Boškovic, Ivan. "Contacts between dr. Julije Bajamonti and Luka and Antun Sorkocevic", Luka & Antun Sorkocevic: Hrvatski skladatelji/Luka & Antun Sorkocevic: Croatian composers. Ed. by Stanislav Tuksar (Zagreb: Muzicki Informativni Centar KDZ; Osor: Osorske Glazbene Veceri, 1983) 247-262.

Breko, Hana. "Music and Religious Orders in Dalmatia in the 17th Century", Musica e storia VIII/2 (2000) 455-476.

Bujic, Bojan. "An early Croat translation of Rinuccini’s Euridice", Muzikološki zbornik XII (1976) 16-30.

Bujic, Bojan. "Patronage and taste in Venetian Dalmatia: The case of Tomaso Cecchino’s Amorosi concetti", Revista de musicología XVI/3 (1993) 1416-1422.

Bujic, Bojan. "Music, ethos, and the historical past in Hektorovic’s ‘Fisching and fischermen’s conversations’", ed. by E.D. Goy, Petar Hektorovic’s "Fisching and fischermen’s conversations" (Stari Grad, 1997) 159-176.

Bujic, Bojan. "Pastorale o melodramma? Le tradizioni croate di "Euridice" e "Arianna" per le scene di Dubrovnik", Musica e storia VI/2 (December 1998) 477-499.

Bujic, Bojan. "A ‘Provincial’ Musician and his Wider Circle: Some Aspects of Tomaso Cecchino’s Secular Music", Musica e storia VIII/2 (2000) 391-415.

Cavallini, Ivano. "Feste e spettacoli in Istria tra Cinque e Seicento e le mascherate a tre voci di Gabriello Puliti", Il flauto dolce: Rivista per lo studio e la pratica della musica antica 14-15 (April-October 1986) 3-15.

Cavallini, Ivano. "La diffusione del madrigale in Istria: I Silao Casentini e Gabriello Puliti", Muzikološki zbornik XXIII (1987) 39-70.

Cavallini, Ivano. "Gli intermedi in Lode di Sebastiano Quirini conte-caoutabi di Cherso dal 1586 al 1588", Musica, storia, folklore in Istria: Studi e contributi offerti a Giuseppe Radole. Ed. by Ivano Cavallini (Trieste: Italo Svevo, 1987) 53-80.

Cavallini, Ivano. "Quelques remarques sur la musique sacrée en Istrie au XVIIe sičcle et les premiers essais monodiques de Gabriello Puliti", Musica antiqua VIII/1 (Bydgoszcz: Filharmonia Pormorska im. I. Parderewskiego, 1988) 233-48.

Cavallini, Ivano. "Recherches sur les intermčdes pour le Il S. Giovanni, vescovo di Traú de Girolamo Brusoni (Trogir, 1656-1658)", The musical Baroque, western Slavs, and the spirit of the European cultural communion/Glazbeni barok i zapadni Slaveni u kontekstu europskog kulturnog zajedništva. Ed. by Stanislav Tuksar (Zagreb: Hrvatsko Muzikološko Društvo, 1993) 75-84. Italian version published as: "Ricerche sugli intermedi per la Rappresentazione spirituale il S. Giovanni di Girolamo Brusoni (Traů/Trogir 1656-1658), Rivista internazionale di Musica sacra XI/2 (1990) 214-224.

Cavallini, Ivano. "Giuseppe Tartini e l’Istria", Inaugurazione del monumento a Giuseppe Tartini in Pirano (Rovinj: Centro di Ricerche Storiche; Rijeka: Unione Italiana; Trieste: Universitŕ Populare, 1992) xi-xxx.

Cavallini, Ivano. "Zuan Polo, il Canto alla schiavonesca e lo spettacolo Veneziano ai primi del Cinquecento", Revista de musicología XVI/3 (1993) 1423-1432.

Cavallini, Ivano. "Questioni di stile e struttura del melodramma nelle lettere di Cristoforo Ivanovich", Giovanni Legrenzi e la cappella ducale di San Marco: Atti dei convegni internazionali di studi. Ed. by Francesco Passadore and Franco Rossi (Firenze: Olschki, 1994) 185-199.

Cavallini, Ivano. "Genio, imitazione, stile sentimentale e patetico: Gianrinaldo Carli e Tartini--Le prospettive della critica tartiniana nella seconda metŕ del Settecento", Tartini: Il tempo e le opere. Ed. by Andrea Bombi and Maria Nevilla Massaro (Bologna: Mulino, 1994) 229-246.

Cavallini, Ivano. "Musica sentimentale e teatro della commozione: La poetica del melodramma nelle Osservazioni sulla musica di Gianrinaldo Carli", Recercare: Rivista per lo studio e la pratica della musica antica II (1990) 5-34.

Cavallini, Ivano. "Il ruolo della musica nel teatro pastorale raguseo del cinquecento", Musica e storia VIII/2 (2000) 417-454.

Cavallini, Ivano. "Questioni di stile e struttura del melodramma nelle lettere di Cristoforo Ivanovich". Zagreb, 1094-1994: Zagreb i hrvatske zemlje kao most izmedu srednjoeuropksih i mediteranskih glazbenih kultura/Zagreb and Croatian lands as a bridge between Central-European and Mediterranean musical cultures. Edited by Stanislav Tuksar (Zagreb: Hrvatsko Muzikološko Društvo, 1998) 127-147.

Danner, Peter. "Theme & variations by Ivan Padovec", SoundboardXXI/3 (winter 1995) 38-43.

Demovic, Miho. "Biographical elements in the life and works of Antun Sorkocevic", Luka & Antun Sorkocevic: Hrvatski skladatelji/Luka & Antun Sorkocevic: Croatian composers. Ed. by Stanislav Tuksar (Zagreb: Muzicki Informativni Centar KDZ; Osor: Osorske Glazbene Veceri, 1983) 149-182.

Demovic, Miho. "Frankoflämische Musiker in der Republik Dubrovnik", Gallus Carniolus in europska renesansa (Ljubljana: Slovenska Akademija Znanosti in Umetnosti, 1992) 193-204.

Di Pasquale, Marco. Tommaso Cecchini's Sonate per gl'instrumenti, bassi, & soprani from his opus 23 (1628). Zagreb, 1094-1994: Zagreb i hrvatske zemlje kao most izmedu srednjoeuropksih i mediteranskih glazbenih kultura/Zagreb and Croatian lands as a bridge between Central-European and Mediterranean musical cultures. Edited by Stanislav Tuksar (Zagreb: Hrvatsko Muzikološko Društvo, 1998) 105-125.

Doliner, Gorana. "Traditional church singing in Kraljevica (Croatia): The work of Lujza Kozinovic", The world of music: Journal of the International Institute for Traditional Music XXXIII/2 (1991) 50-62.

Dubovy, Norbert. "Un Dalmata al servizio della Serenissima: Cristoforo Ivanovich, primo storico del Melodramma", Il teatro musicale del Rinascimento e del Barocco tra Venezia, regione Giulia e Dalmazia: Idee accademiche a confronto. Ed. by Ivano Cavallini (Trieste: Circolo della Cultura e delle Arti, 1991) 21-31.

Enix, Margery. Rudolf Matz: Cellist, teacher, composer (Ottawa: Dominis Publishing, 1996) 292 p.

Erding, Sussane. Apocalyptica: Eine multimediale Ballettoper von Fernando Arrabal, Milko Kelemen und Edmund Kieselbach (Nagold: Rohrdorfer Musikverlag, 1979) 190 p.

Everett, William A. "Antun Sorkocevic (1775-1841), Dubrovnik aristocrat composer and man of letters: A preliminary investigation", Journal of Croatian studies: Annual review of the Croatian Academy of America XXXIV-XXXV (1993-94) 98-106.

Everett, William A. "Aspects of musical-dramatic form in Ivan Zajc’s Nikola Šubic Zrinjski (1876), Zagreb, 1094-1994: Zagreb i hrvatske zemlje kao most izmedu srednjoeuropksih i mediteranskih glazbenih kultura/Zagreb and Croatian lands as a bridge between Central-European and Mediterranean musical cultures. Edited by Stanislav Tuksar (Zagreb: Hrvatsko Muzikološko Društvo, 1998) 277-289.

Everett, William A. "Sources for the operas of Ivan Zajc in U.S. libraries", Glazba, rijeci i slike: Svecani zbornik za Koraljku Kos/Music, words, and images: Essays in honour of Koraljka Kos. Ed. by Zdravko Blažekovic and Vjera Katalinic (Zagreb: Hrvatsko Muzikološko Društvo, 1999) 273-280.

Federhofer, Helmut. "Vinko Jelich", Archiv für Musikwissenschaft XII/3 (1955) 215-227.

Flotzinger, Rudolf. "Ivan Zajc und das musikalische Wien um 1870", Zbornik radova sa znanstvenog skupa održanog u povodu 150. obljetnice ro?enja Ivana Zajca (1832-1914). Ed. by Lovro Županovic (Zagreb: Jugoslavenska Akademija Znanosti i Umjetnosti; Muzikološki Zavod Muzicke Akademije, 1982) 7-28.

Flotzinger, Rudolf. "Die Passacaglien von Krsto Odak", Krsto Odak: Život i djelo/Life and opus. Ed. by Eva Sedak (Zagreb Hrvatsko Muzikološko Društvo; Hrvatski glazbeni Zavod, 1997) 79-92.

Frankovic, Dubravka. "La musique dans la conception du classicisme chez l’évęque Maximilien Vrhovac", Most/The bridge: A journal of Croatian literature 3 (1991) 353-374.

Gligo, Nikša. "Why do we like Symphonic kolo? National coloring and its articulation through folklore-based idioms", World of music XL/3 (1998) 99-111.

Golub, Ivan. "Juraj Križanic’s Asserta musicalia in Caramuel’s newly discovered autograph of Musica", International review of the aesthetics and sociology of music IX/2 (December 1978) 219-278.

Golub, Ivan. "Juraj Križanic and Joăo IV, or Križanic’s supervision of the printing of Joăo’s music and works about music", International review of the aesthetics and sociology of music XI/1 (June 1980) 59-86.

Golub, Ivan. "On the manuscript of Juraj Križanic’s De musica", International review of the aesthetics and sociology of music XVII/1 (June 1986) 123-128; XVIII/1 (June 1987) 163-168.

Golub, Ivan. "Jurai Križanic e Juan Caramuel", Le meraviglie del probabile: Juan Caramuel 1606-1682 (Vigevano: Comune di Vigevano, 1990).

Golub, Ivan. The Slavic vision of Juraj Križanic. (Zagreb: Croatian P.E.N. Centre, 1993) 122 p.

Gojowy, Detlef. "Silvio Foretic, ein kroatischer Komponist in Köln", Zagreb, 1094-1994: Zagreb i hrvatske zemlje kao most izmedu srednjoeuropksih i mediteranskih glazbenih kultura/Zagreb and Croatian lands as a bridge between Central-European and Mediterranean musical cultures. Edited by Stanislav Tuksar (Zagreb: Hrvatsko Muzikološko Društvo, 1998) 359-364.

Gligo, Nikša. "Milko Kelemen: Passionato für Flöte und gemischten Chor-Voraussetzungen für eine mögliche Analyse", Zeitschrift für Musiktheorie VI/2 (1975) 71-75.

Gligo, Nikša. "Structure-action-time-constants: Remarks on Radica’s Barocchiana", Skladateljske sinteze osamdesetih/Compositional synthesis of the eighties (Zagreb: Music Biennale; Muzicki Informativni Centar KDZ, 1986) 151-154.

Hornbaker, Paul Mark. The songs of Vatroslav Lisinski (1819-1854) (DMA doc.: University of Iowa, 1988) 116 p.

Juranic, Zoran. "Vocal compositions by Lukša and Antun Sorkocevic", Luka & Antun Sorkocevic: Hrvatski skladatelji/Luka & Antun Sorkocevic: Croatian composers. Ed. by Stanislav Tuksar (Zagreb: Muzicki Informativni Centar KDZ; Osor: Osorske Glazbene Veceri, 1983) 209-234.

Kálmán, Isoz. Arnold György (Budapest: Pesti Könyvnymda Részvénytársaság, 1908) 20 p.

Kapko-Foretic, Zdenka. Carl von Turányi (1805-1873): Eine Monographie, Beiträge zur rheinischen Musikgeschichte 99 (Köln: Volk, 1973) 188 p.

Kapko-Foretic, Zdenka. "Milko Kelemen, Opera bestial - Silvio Foretic, Semi-mono-opera, Slovenski glasbeni dnevi 1998/Slovenian Musical Days 1998, ed. by Primož Kuret (Ljubljana: Festival Ljubljana, 2000) 98-106.

Kapko-Foretic, Zdenka. "Carl von Turányi (1805-1873): Ein europäischer Lebensweg-Eszek, Agram, Pressburg, Wien, Aachen", Zagreb, 1094-1994: Zagreb i hrvatske zemlje kao most izmedu srednjoeuropksih i mediteranskih glazbenih kultura/Zagreb and Croatian lands as a bridge between Central-European and Mediterranean musical cultures. Edited by Stanislav Tuksar (Zagreb: Hrvatsko Muzikološko Društvo, 1998) 299-304.

Katalinic, Vjera. "Some chamber works by Luka and Antun Sorkocevic", Luka & Antun Sorkocevic: Hrvatski skladatelji/Luka & Antun Sorkocevic: Croatian composers. Ed. by Stanislav Tuksar (Zagreb: Muzicki Informativni Centar KDZ; Osor: Osorske Glazbene Veceri, 1983) 235-246.

Katalinic, Vjera. "Giovanni Sebenico: A pupil of Legrenzi?", Giovanni Legrenzi e la cappella ducale di San Marco: Atti dei convegni internazionali di studi. Ed. by Francesco Passadore and Franco Rossi (Firenze: Olschki, 1994) 201-206.

Katalinic, Vjera. "Koraljka Kos", Glazba, rijeci i slike: Svecani zbornik za Koraljku Kos/Music, words, and images: Essays in honour of Koraljka Kos. Ed. by Zdravko Blažekovic and Vjera Katalinic (Zagreb: Hrvatsko Muzikološko Društvo, 1999) 415-426.

Katalinic, Vjera. "The second life of Julije Bajamonti (1744-1800): The fate of some of Bajamonti's compositions in Split, Salzburg and Vienna", Glazba, rijeci i slike: Svecani zbornik za Koraljku Kos/Music, words, and images: Essays in honour of Koraljka Kos. Ed. by Zdravko Blažekovic and Vjera Katalinic (Zagreb: Hrvatsko Muzikološko Društvo, 1999) 211-218.

Katnich. Niccolň Cav. de Strmic di Valcrociata per molti estimatori (Zadar, 1876).

Keckemet, Duško and Ennio Stipcevic. Julije Bajamonti: Encyclopedist and musician (Zagreb; Split: Croatian P.E.N. Centre, 1997) 40 p.

Kelemen, Milko. "Apocalyptica, Visionen nach dem Buch der Bücher: Ballettoper von Fernando Arrabal, Milko Kelemen und Edmund Kieselbach", Neue Zeitschrift für Musik CXL/4 (1979) 355-56.

Kos, Koraljka. "Appairan per me le stell’in cielo von O. di Lasso und J. Skjavetic (Schiavetto): Stilkritischer Vergleich", Muzikološki zbornik XI (1975) 17-27.

Kos, Koraljka. "Tonart und Kadenz in den Madrigalen von A. Patricij und J. Skjavetic", Musica antiqua IV (Bydgoszcz: Filharmonia Pormorska im. I. Parderewskiego, 1975) 148-163.

Kos, Koraljka. "Die grazer Jahre des Ferdo Wiesner-Livadic (1816-1822)", Grazer musikwissenschaftliche Arbeiten 5 (Graz: Akademische Druck- und Verlagsanstalt, 1983) 73-91.

Kos, Koraljka. Dora Pejacevic: Leben und Werk. Translated from Croatian by Charlotte IVIR. Beiträge zur Geschichte der kroatischen Musik 4 (Zagreb: Muzicki Informativni Centar KDZ, 1987) 277 p.

Kos, Koraljka. "Luka Sorkocevic and his place in Croatian and European music of the 18th century", Luka & Antun Sorkocevic: Hrvatski skladatelji/Luka & Antun Sorkocevic: Croatian composers. Ed. by Stanislav Tuksar (Zagreb: Muzicki Informativni Centar KDZ; Osor: Osorske Glazbene Veceri, 1983) 135-148. French version published as "Luka Sorkoccvic et sa place dans la musique croate et européenne du 18čme sičcle", Most/The bridge: A journal of Croatian literature 3 (1991) 322-337.

Kos, Koraljka. "Luka Sorkocevic: Ein Vorklassiker aus Dubrovnik", Revista de musicología XVI/3 (1993) 1460-1465.

Kos, Koraljka. "Vertonungen lateinischer Texte von Schütz und Lukacic: Vergleichende Analyse", The musical Baroque, western Slavs, and the spirit of the European cultural communion/Glazbeni barok i zapadni Slaveni u kontekstu europskog kulturnog zajedništva. Ed. by Stanislav Tuksar (Zagreb: Hrvatsko Muzikološko Društvo, 1993) 45-62.

Kos, Koraljka. "Leopold Ebners Kirchenmusik: Einleitende Betrachtungen", Off-Mozart: Glazbena kultura i mali majstori srednje Europe 1750.-1820./Musical culture and the Kleinmeister of Central Europe, 1750-1820. Ed. by Vjera Katalinic (Zagreb: Hrvatsko Muzikološko Društvo; Hrvatska Akademija Znanosti i Umjetnosti, Razred za Glazbenu Umjetnost i Muzikologiju, 1995) 129-173.

Kos, Koraljka. "Luka Sorkocevic: Meister der ersten kroatischen Sinfonien", Nachbarländer. Ed. by G. Thomas (Wien: Musikwissenschaftlicher Verlag, 1997) 53-63.

Kos, Koraljka. "Blagoje Bersa und die Moderne unter besonderer Ber?cksichtigung siner Lieder", Zagreb, 1094-1994: Zagreb i hrvatske zemlje kao most izmedu srednjoeuropksih i mediteranskih glazbenih kultura/Zagreb and Croatian lands as a bridge between Central-European and Mediterranean musical cultures. Edited by Stanislav Tuksar (Zagreb: Hrvatsko Muzikološko Društvo, 1998) 391-405.

Kovacic, Loreta. The piano music of Boris Papandopulo (DMA doc.: Rice University, 1996) 121 p. DA 9631144.

Levi, V. "Antonio Smareglia", Rivista musicale italiana XXXVI/3-4 (1929) 600-615.

Linden, Werner, "Josip Slavenski, oder, Die andere Art: Weltmusik zu denken", Musiktheorie III/1 (1988) 77-80.

Lindley, Mark. "Der Tartini-Schüler Michele Stratico", Bericht uber den Internationalen Musikwissenschaftlichen Kongress Bayreuth, 1981 (Kassel: Bärenreiter, 1984) 366-70.

Longo, Valentina. Innocentio Vivarino, Gabriello Puliti e Tomaso Cecchino: Gli esordi della musica strumentale nella provincia veneta (1600-1630), (Tesi di laurea, Storia della musica: Universitŕ degli Studi di Padova, 1991-92).

Mahling, Christoph-Hellmut. "Bemerkungen zu den Beziehungen zwischen Krsto Odak und dem Musikverlag Schott in Mainz", Krsto Odak: Život i djelo/Life and opus. Ed. by Eva Sedak (Zagreb: Hrvatsko Muzikološko Društvo; Hrvatski Glazbeni Zavod, 1997) 167-173.

Majer-Bobetko, Sanja. "Claude Debussy dans la presse Croate jusqu’au debut de 1942", Recepcija glazbe Claudea Debussyja u Hrvatskoj/La reception de la musique de Claude Debussy en Croatie. Ed. by Zdenka Weber and Sanja Majer-Bobetko (Zagreb: Muzicka Akademija Sveucilišta; Institut Français, 1996) 59-71.

Mann, Francis Fitch. Michele Stratico: The opus 1, Sei sonate, and an edition of sonatas no. 2 and no. 6. (D.M.A. doc., Music: University of Nebraska, 1992) 174 p. DA 9225485.

Martincevic, Jagoda. Ruža Pospiš-Baldani: 35 godina umjetnickog djelovanja/Ruža Pospiš-Baldani: 35 years of an artistic career (Zagreb: Hrvatsko Narodno Kazalište, 1996) 100 p.

Metzinger, Maria. Julius Epstein: Sein Leben und Wirken unter besonderer Erforschung seiner Beziehung zu Johannes Brahms (Diss. Univeristät Wien, 1957). Handschrift.

Minamino, Hiroyuki. "A moneky business: Petrucci, Antico, and the frottola intabulation", Journal of the Lute Society of America, XXVI-XXVII (1993-94) 96-106.

O’Loughlin, Niall. "A note on Lukacic", Musical times CXIV/1563 (May 1973) 479-480.

Pericic, Vlastimir, "Josip Slavenski und seine Astroakustik", Musiktheorie III/1 (1988) 55-76.

Perpich, Edoardo. Il teatro musicale di Antonio Smareglia, Collana degli atti Centro di ricerche storiche, Rovigno 9 (Rovinj: Centro ricerche storiche, 1990) 152 p.

Petricioli, Ivo. "Guslar me?u seljacima (1840) by Francesco Salghetti-Drioli", Music in art XXV/1-2 (2000) 97-102.

Plamenac, Dragan. "Damjan Nembri of Hvar (1584-c.1648) and his Vesper Psalms", Musica antiqua VI (Bydgoszcz: Filharmonia Pomorska im. Ignacego Paderiewskiego, 1982) 669-685.

Reyle, Karl. "Jakov Gotovac, kroatischer Nationalkomponist", Der Bund 155 (26 May 1967).

Rismondo, Paolo Alberto. Francesco Sponga detto Usper (1561-1641) "organista eccellentissimo": Un musicista a Venezia tra Cinquecento e Seicento (Tesi di laurea, Storia della musica medievali e rinascimentali: Universitŕ degli Studi di Bologna, 1989-90) 163; 254 p.

Ruf, Wolfgan. "Das Münchner Musikleben zur Zeit von Krsto Odaks Studienaufenthalt in München, 1912-1913", Krsto Odak: Život i djelo/Life and opus. Ed. by Eva Sedak (Zagreb Hrvatsko Muzikološko Društvo; Hrvatski Glazbeni Zavod, 1997) 127-135.

Salimbeni, Fulvio. "Gian Rinaldo Carli scrittore di storia", Musica, storia, folklore in Istria: Studi e contributi offerti a Giuseppe Radole. Ed. by Ivano Cavallini (Trieste: Italo Svevo, 1987) 97-108.

Sartori, Claudio. "A little known Petrucci publication: The second book of lute tablatures by Francesco Bossinensis", Musical quarterly XXXIV/2 (April 1948) 234-235.

Schlötterer, Reinhold. "Südslawische Volksweisen aus der Sammlung von Franjo Kuhac in der Oper Arabella von Hugo von Hofmannsthal und Richard Strauss", Zbornik radova sa znanstvenog skupa održanog u povodu 150. obljetnice ro?enja Franje Ksavera Kuhaca (1834-1911). Ed. by Jerko Bezic (Zagreb: Jugoslavenska Akademija Znanosti i Umjetnosti, 1984) 361-386.

Sedak, Eva. "Eine Ästhetik im Übergang: Versuch einer hypothetischen Gegenüberstellung: F. Busoni-J.S. Slavenski", International review of the aesthetics and sociology of music XVIII/1 (June 1987) 97-116.

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